Christoforos Savva: Untimely On Time
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Cecilia Vicuña: Seehearing the Enlightened Failure
The Memory Of The Archive
Haegue Yang, Chronotopic Traverses / Traversée Chronotopique
Heinz Peter Knes, Der weltrevolutionäre Prozess seit Karl Marx und Friedrich Engels bis in die Gegenwart
Ebbe Stub Wittrup, Figures of Perception
Elena Reygadas, Rosetta
M+, Noguchi for Danh Vo: Counterpoint
Haegue Yang: VIP’s Union 2001–2018
Henning Bohl, Kadath Fatal, Fatal Kadath Fatal, Final Kadath Fatal
Gabriel Sierra, Before Present
A Universal History of Infamy
Warren Neidich, The Color of Politics
Rometti Costales, Little animals, ash trays
Naufus Ramírez-Figueroa: Requíem for Mirrors and Tigers
Optik Schröder II
BLESS N° 61
Rosa Barba, De la Source au Poème
Leonor Antunes, le plan flexible
Makulatur 2010–2016, Studio Manuel Raeder
Otobong Nkanga: Luster and Lucre
Elise Florenty & Marcel Türkowsky: One head too many. Une tête en trop. Ein Kopf zu viel
Nora Schultz, Centre Dental
Mariana Castillo Deball, Parergon
Door Between Either And Or, k.m
Heinz Peter Knes, on distance
Ull Hohn: Foregrounds, Distances
Leonor Antunes, the last days in chimalistac
Abraham Cruzvillegas, The Logic of Disorder
PARANOMIA
Sergej Jensen, Statens Museum for Kunst
(The Title Of The Exhibition Changed Every Hour), Gabriel Sierra
k.m Exhibitions / Ausstellungen 2010 – 2015
Daniel Steegmann Mangrané, Animal That Doesn't Exist
Hypothesis for an Exhibition
Nick Mauss, Geschenkpapiere
Haegue Yang, Dare to Count Phonemes and Graphemes
Jimmie Durham: Poems That Do Not Go Together
Hélio Oiticica, The Great Labyrinth
Marginália 1, Rogério Duarte
Paul Sietsema: interviews on films and works
Daniel Steegmann Mangrané, Lichtzwang
Olaf Holzapfel, Region
Sergej Jensen
Haegue Yang, Wild Against Gravity
Tris Vonna-Michell
Haegue Yang, Siblings and Twins
BLESS Retroperspective Home N°30 – N°41
Kitty Kraus
Danh Vo, Where The Lions Are
Omer Fast: The Casting
Mariana Castillo Deball, Estas Ruinas Que Ves / These Ruins You See
Omer Fast, Godville
A for Alibi
Haegue Yang: Community of Absence
Optik Schröder
Mariana Castillo Deball, Interlude: The reader’s traces
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